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Number 8 Mantis
Loui Morrell
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Soundtrack 3
Phil Dadson
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Soundtrack 7
Phil Dadson
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Portrait of Jaqueline Fahey
Reiko Elliott
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Untitled
Frances Hansen
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Skinny White Male
Richard Lewer
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Cue: Smile
Glen Wolfgramm
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My Colour Profile
Glen Wolfgramm
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Big Top Theatre Show for all the family
Graham Percy
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Memorabilia
Saso Sinadinovski
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Mea Ta Waka
David Brown
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Old Store under Plane Tree, Grafton Road Auckland City
A. Whistler
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Empire Builders
James Boswell
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Maori Head & Artefacts
David Brown
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Political Cartoon
Gordon Minhinnick
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Untitled
Jeffrey Harris
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21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
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Toka Toka from Te Maire
Don Binney
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Black double ended series 280/36
John Lethbridge
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Girl with String
Mark Cross
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08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
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Two Yellow Lines
Greer Twiss
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Perspective View of Arts Building and Student Club from Symonds Street
LIPPINCOTT & BILLSON
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Figure (Listening)
James Ross
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06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
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Return to the Land - two kiwis, two huts and two silos
Graham Percy
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28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
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Anxiety
Douglas Macdiarmid
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14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
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02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
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Untitled collage
Greer Twiss
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Untitled - two images
R.b. Stoddart
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Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
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Creatures in Space XIII
Douglas Macdiarmid
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Portrait A.G.Davis
Paul Beadle
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Head
Alistair Nisbet-smith
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07. Letter I, Exercise IV: You cannot get the same dark power with pencil as with ink""
Stephen Farthing
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The Fox and the Stork
Graham Percy
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Ideas for a Mace for the University of Auckland
Paul Beadle
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Arthur Sandall
Paul Beadle
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17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
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25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
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30. Letter III, 193: The law of principality""
Stephen Farthing
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19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
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The Clock Tower Building, Auckland University
Frederick Ellis
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2